I don’t refer to mary shelly. I do not distinguish her as the “inventor” of science fiction either. Rendering strange ideas in terms of esoteric disciplines for the metaphorical augmentation or whatever is as old as humanity.
Good question! Typically they get listed as fantasy because the magic isn’t manmade. Most definitions of science fiction require a human to have created the unrealistic element - or an extraterrestrial lifeform who is roughly analogous to a person. It’s not just that magic is present, but that it was derived from supernatural sources and not by human actions.
I don’t refer to mary shelly. I do not distinguish her as the “inventor” of science fiction either. Rendering strange ideas in terms of esoteric disciplines for the metaphorical augmentation or whatever is as old as humanity.
Okay. So what’s the first work of science fiction to you?
If the authors believed magic and the gods to be real, would ancient works like The Epic of Gilgamesh or The Iliad count as science fiction?
Good question! Typically they get listed as fantasy because the magic isn’t manmade. Most definitions of science fiction require a human to have created the unrealistic element - or an extraterrestrial lifeform who is roughly analogous to a person. It’s not just that magic is present, but that it was derived from supernatural sources and not by human actions.
It’s something I haven’t delved into enough to arrive at a definitive conclusion, actually. The subject delivers little thrill for me.
Then I suggest you accept the common interpretation that “Frankenstein, or The Modern Prometheus”, is at least the first modern work of sci-fi.
I can tell this means a lot to you. I suppose it’s a matter of taste.
Fair enough as a term, but it was one of my minors in college. Authors use both.
In what way does taste determine the genre of a work of fiction?
You misunderstand. I offered that what “means a lot to you” is a matter of taste.